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Alternating between immediacy and reflection, fantasy and honesty, lyricism and horror, Jean Rouch’s 1961 film sets out to examine, through a socio-ethnographic lens, the nature of friendship between cultures, nations, and races, specifically between Nigerian and French secondary school students.But while “Direct Cinema” is often discussed as if its proponents wished to reduce the middle ground between subject and audience to zero ).On #Novara FM, Mark Bergfeld joins James Butler to discuss German politics, from #No Gro Ko movement against a new grand coalition, the Left Party, the rise of the far right and German social movements.Hosts Oonagh Ryder and Sam Swann speak to Luke Billingham from Haven Distribution, an organisation that provides books for prisoners.
On Sunday at 7, the non-curated program Fertile Ground showcases dances by Bobby Morgan & Artists, Brianna Taylor/Confluence Performance Project, JACKS, Janessa Clark, Roza Dance Company, and the Sheep Meadow Dance Theatre, along with a glass of wine.
a work Brown made in 2009 to music by Duke Ellington, Wynton Marsalis, Radiohead, and War, celebrating Judith Jamison, former star and director of the Alvin Ailey American Dance Theater. Having been brought on to help his friend and colleague, filmmaker François Reichenbach, assemble a documentary about the great art forger Elmyr de Hory, Welles adopted the project when it became clear that the material — exploding with bizarre complications and revelations, more or less in real time — was more than any one storyteller could manage alone.